waiting for what else

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‘you okay?’ i ask for the seventeenth time
that day and you humor me, smile that same
old smile, as if the whole world isn’t growing
inside you. ‘right as rain,’ you say, resigned to
the fact that this baby is not coming today
maybe not tomorrow. forty weeks may
take a particular amount of time to pass but
after that, each day
each twenty-four hours
passes like an eclipse: long and slow and best
not to look directly at it.

you sit back in your chair and you drink from your
mug and i marvel at the woman you have
become. this, your sixth childbirth, and yet you
are a pool of still water. we both know
what is coming, the gradual increase, the pinnacle,
the parting of flesh, the eruption of life, and yet
there you sit, letting your raspberry tea
soak another minute, or making a list of things
to do tomorrow, a list of people to invite over
next week
just in case.

you bear the burden of knowing

it is late. we should both be sleeping. but we read.
you, the long ago faraway adventures of Taran, and
I read The Memory of Old Jack.

He is four miles and sixty-four years away,
in the time when he had music in him and he was light.

and i think, ‘that’s it,’ and i think,
‘yes.’ you have music in you, the music of fragile bones
swimming through ancient waters waiting to break, the
preposterous music of two thumping rhythms
in one body, the music of pressure
loosening hips and joints and tendons like the plucking
of a bass. There is a symphony
inside you, playing its chaotic warmup, waiting for some
conductor to raise the baton and bring
it all into sync.

Though he is at the end now, looking back at the beginning,
the pleasure of that work
and what it anticipated
comes to him again and fills his mind.

i turn out the lights and walk the dark house. soon, there
will be another one
here
among us. i check on everyone: the boy at the back
of the house, the girls upstairs, the boy, also upstairs,
and the smallest lion, asleep on his back, mouth open,
curls twisting over ears. it is inconceivable, the lives.

i slip back into bed. your foot
grazes mine, moves on, then strays back against me. skin
touching skin. you are curled into
position like a fern. ‘rest,’ i think. ‘rest.’

it is midnight now.

another day has come and gone.

The Sound of a Child Not Breathing Well

This post is about Abra, but this picture is of Leo, in his new favorite place, fireside.
This post is about Abra, but this picture is of Leo, in his new favorite place, fireside.

There is the sound of a child who is not breathing well, the sound of inflamed airways, the sound of air-gulping. She comes into our room in the middle of the night, and my wife and I both sit up in bed.

“Abra, are you okay?” I ask, and she nods, because everything is always okay in Abra-land, even when things are not okay. But her eyes are open too-wide, and there is a little panic there, hidden in the blue.

“My breathing,” she says, opening her mouth and pulling in air, and we scramble for medicine, for the inhaler, and for the calming oils. There is the sound of her coughing, and the sound of her swallowing her medicine. There is the popping sound her inhaler makes, the misting psht, the ten long breaths.

This is a guest post over at the wonderful site, You Are Here. You can read the rest of the post HERE.

Something New and Exciting

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For the last few months, Maile and I have been working away at a new idea, something we’ve been wanting to do for a long time. Today it becomes a reality.

James Street Review is here.

It’s a site where children around the ages of 10 – 16 review books written for kids. In other words, kids reviewing kids’ books. The exciting part for me is that we’ve got children from all over the country contributing reviews to the site, hopefully creating a fun place where kids can go to find their next book.

Check out James Street Review HERE and then share it with all your friends! Help us get this website off the ground!

An Award-Winning Photograph…of Me?

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This photo, by John Sanderson of Sanderson Images, won a portrait contest with Maine Media Workshops.

A few months ago, my photographer friend John Sanderson approached me with an idea. He wanted to start a new line of services at his studio involving editorial-style brand portraits.

What?

That’s right. Editorial-style brand portraits. He wondered if he could set up a shoot and take my picture. I’m not a huge fan of having my photo taken, but I figured I could use some new headshots, so I agreed. The next thing I knew, he sent me a questionnaire with the oddest questions. One of them was, “Somebody you’re not related to.”

Me – “That’s not a question.”

John – “Just put down whoever comes to mind.”

Me – “Bono.”

John took my answers to his vague questions and went through his own personal creative process that eventually led to him creating a backdrop for my photo shoot…made up of individual dictionary pages taped to a large frame. And an old ladder. And a paper airplane. It was amazing. Here are just a few of the photos he created:

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John and his wife Kim are extremely talented. To find out more about this style of photo shoot or to see some of the other incredible services they provide (weddings, engagements, family sessions, interior and exterior for luxury marketing, and all kinds of other stuff), check out their photography HERE.

Some Treats For You at the End of a Week

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This is the courtyard outside my wonderful church, Saint James, including it’s frozen fountain.

The following are excerpts from some great blog posts by other folks that I stumbled upon recently. Click on the underlined section of each to read them in full. And make sure you watch Addie Zierman’s awesome book trailer at the bottom. It’s definitely a book you’ll want to check out this year.

For 40 days, I paid attention to the people in the service industry, letting Mother Teresa’s words, “We belong to each other”, mean more to me than a pretty phrase to hang on my kitchen wall. For the 40 days of Lent, I treated every person in customer service as if they belonged to me, and soon, they did.

* * * * *

One of the first questions my therapist ever asked me was, “Have you been overfunctioning?”

I was in tears at the time, no surprise. Therapy brings out some of my best crying. And I wasn’t sure I understood her question. I tried to clarify, but like any good therapist, she let the question linger.

* * * * *

I am a germophobe. The idea of drinking from a communal cup grosses me out. I get unhealthily anxious about these kinds of things, especially in February. Every year I battle creeping paranoia about flu season.

* * * * *

So I’ll be off practicing delight. Relearning what it looks like to choose books for fun, to use time to play, to write things that make me giddy. And I hope you’ll look for ways to choose delight as well.

* * * * *

All That For That: Some Thoughts On the Movie, The Revenant (Spoilers)

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“All that, for that.”

My friend Jake summed up my thoughts perfectly with those four words as we left the theater after seeing the movie, The Revenant. What he meant was, all that blood, all that violence, all that determination, all those miles crossed, all that intensity, all of that sacrifice…for what, exactly?

All that for that.

* * * * *

Four of my buddies and I grabbed 35-cent wings at The Brickyard before heading over to see the movie, The Revenant, on Tuesday night. We had all seen the previews. We heard stories of Leonardo DiCaprio’s method acting, eating raw buffalo organs and swimming freezing rivers. We went in excited, ready to be amazed.

The cinematography was incredible. The scenery, the creative shots: everything was stunning. There was a depth to the portrayal of the Native Americans that I’ve not experienced before in a movie. And I’m not sure I’ve ever seen anything as intense as this one – it’s right up there with the opening scenes of Saving Private Ryan. From moment one, you are in it.

The bear attack scene drags on uncomfortably long, but somehow in a way that makes sense. I felt like I was there, lying under the beast. I feel like I know what it’s like to be attacked by a bear. The constant setbacks seem insurmountable. This movie is not for the faint of heart.

DiCaprio and Hardy were masterful.

But most importantly, the desire for revenge is palpable throughout. You get the sense that the main character, Hugh Glass, is not surviving on his strength as a human being as much as he is on his hatred. He writes the following wherever he can, scratches it into wood and stone and ice:

Fitzgerald killed my son.

There are hundreds of miles to be crossed. Rivers in the way. Mountains. This is the first thing we learn: there is an unnatural strength found hidden in the desire for revenge.

* * * * *

Towards the end of the film, in the climactic scene, Fitzgerald says to Glass something along the lines of,

You’ve come all this way to get your revenge, but it won’t ever bring your son back.

This is the main question the movie leaves behind like a sour aftertaste:

Is it worth it? Can revenge give us what we want?

Don’t get me wrong – if someone had done to me what was done to Glass in this movie, I probably would have crawled over mountains and floated down icy rivers and ran my horse over a cliff to administer my own vigilante justice. I may have sought revenge with as much determination as he did.

Even in all of that, even in my ability to understand why he did what he did, the questions still remain,

Is it worth it? Can revenge give us what we want?

Thus the four words of my friend, Jake.

“All that, for that.”

Have you seen The Revenant? Any thoughts?