When You’re Given Years To Live

IMG_1045
“I will dance at your sister’s wedding tomorrow,” she told me, laughing a broad-grinned laugh that turned into a short coughing fit. She composed herself, cleared her throat gently, took a steadying breath, then looked back up at me with a more serious expression.

“I will dance,” she said.

And she wasn’t talking to me in that moment, with fire in her eyes. She wasn’t talking to anyone in the room, no living person. She was talking, quite definitively, to her Stage 4 cancer. She was throwing down. I sensed it shrink back inside of her.

I hugged her.

“I can’t wait,” I said.

This is part of a post I wrote for Deeper Story about my sister’s wedding, my aunt’s cancer, and my love for my son. You can read it in its entirety HERE.

Or, if you’re visiting these parts for the first time, you can check out a short story I wrote last Friday that might be turning into a serial thing HERE. Part two goes up tomorrow.

What the Stranger at the Episcopal Church Gave Me

photo-25
Saturday nights on James Street can be a bit lively.

This weekend we were in bed and it was just about midnight when we heard a long SCREEEEEEECH followed by a loud BANG! Accident. The sirens wailed into action, screaming into the neighborhood. My sister sent me a text from where she works at a sports bar down the street.

ARE YOU AWAKE? JUST WONDERING WHAT IS GOING ON AT THE CORNER OF YOUR ROAD AND PRINCE ST! THERE’S A FIRE TRUCK AND A BUNCH OF COP CARS.

I told her there was an accident and soon fell back to sleep. Then, around 2am I heard a loud explosion from the neighboring street, loud enough that the sound wave it made set off a few car alarms. It sounded like an electric transformer exploded, but we never got an official word on that one.

We must be turning into city slickers though, because this time none of the kids came running into our room. They slept right through it.

* * * * *

Earlier on Saturday the six of us walked to St. James Episcopal Church on the corner of Duke and Orange. It’s a truly breathtaking church, and the services are nothing like what this kid, raised in the Evangelical world, is used to, but I’ve found it to be a refreshing change. At Saturday evening mass they sprinkle in the songs of a secular musician, a different one each week, and this week’s was James Taylor.

Even the old folks never knew why they call it like they do.
I was wondering since the age of two, down on Copperline.

After the opening song our four kids went out to spend time with the other children in the garden where they do their children’s class, tending the plants that will later be given to families in need or used for the daily breakfast the church serves to the homeless community. While they were out, the readings were given, the first from Genesis 28, and this sentence stuck out to me:

And God heard the voice of the boy…

And from Psalm 86:

Turn to me and have mercy upon me;
Give your strength to your servant;
and save the child of your handmaid.

And from Romans 6:

For if we have been united with him in a death like his, we will certainly be united with him in a resurrection like his.

What a promise that is. We’ve all felt that union with Christ in his death – we’ve seen loved ones fade under illness; we’ve walked with friends who lose more than they ever thought they could survive losing; we’ve felt the heavy weight of it all. But to be united with Christ in not just his death but also his resurrection?

Sometimes that seems too good to be true.

* * * * *

IMG_2208.JPGAfter the service, a man came up to me and said he couldn’t resist taking a photo of Sammy, nearly asleep on my shoulder (the other three children apparently looking for an escape) as we prepared to take communion. He asked if I would like him to text me a copy before he deleted it.

I said of course, and then we prepared to take the bread and the wine. The body and the blood. The death.

And the resurrection?

Here is the picture of Sam and I, just before the six of us walked home through a beautiful summer evening, the words of the post-communion prayer still ringing in my ears:

…send us now into the world in peace, and grant us strength and courage to love and serve you with gladness and singleness of heart; through Christ our Lord.

And of course the lingering memory of those James Taylor songs took us home as well.

I’ve seen fire and I’ve seen rain
I’ve seen sunny days that I thought would never end.
I’ve seen lonely times when I could not find a friend.
But I always thought that I’d see you again

Making Eye Contact With the Toughest One in the Group, and What He Said

photo-24
I crossed the street in front of a white van that pulled up to the curb. Two men got out and stared at me for a moment, but I walked away. When I looked back, they were marching up to a house across the street from ours, a three-story brick row home that at some point in the last fifty years had been turned into apartments. The one man was dressed like a sheriff, and the other wore jeans, the word CONSTABLE in white letters on the back of his navy blue t-shirt.

When I got back to my house a few minutes later, my neighbor, a man in his 70s who has lived here for nearly 30 years, said hello.

“They got their man,” he said, nodding towards the other side of the street. The white van was gone.

* * * * *

A few days ago we walked out on to the top floor of the parking garage and the sky spread out all around us and we were kings and queens, looking out over the realm. When we got to the edge, my stomach did a little flip and I held on to the rail. Ten floors doesn’t look like all that much from the ground, but when you’re standing there, contemplating the distance between you and the end of you, it’s a fair ways down.

I never realized this city is so green, but from up there it looked like a forest with buildings growing out of it, steeples everywhere and the flat tops of brick and cement buildings marching away from us. The sky was a white-washed blue stretching out to distant hills, remote and wild. The kids ran off and played tag while we stood there and pointed out the places we knew.

It’s a strange experience, looking down on your own city like you’re looking into a snow globe just before giving it a shake.

* * * * *

We walked home from the parking garage and turned on to our street. James Street. It was evening and the sky was turning gray and a few of the street lights thought about turning on and the temperature was that late spring perfection. We walked past the old Steak Out that’s now being renovated into a Greek restaurant. Paper covered its windows, and painter’s tape lined the fresh white and blue pattern on the brick. We walked past the small parking lot and up to the first row of houses, the ones before ours that have little porches jutting out into a narrow sidewalk. The sidewalk is so narrow in that spot that if someone is sitting on their porch you can just about smell their breath when you walk by.

A group of six or seven men hung out around one of the porches, their group blocking the sidewalk. Two of the men were old and sitting on folding chairs. The rest were young men, antsy, looking for something to do. They were all African-American, and this is where I tell you exactly how I feel in this city. It’s a strange thing, being a minority, walking the streets and feeling like the odd person out. It gives you a new perspective on life, a new view of how others feel in other circumstances, in other places. When you’re the only person with white skin all kinds of questions pop into your mind.

Do they wish I wasn’t here?

Do they think I’m a racist?

Do they not like me, because of my skin color?

It’s good for me, all of it. It’s opening me up.

* * * * *

My family and I approached the group of men blocking the sidewalk close to our house and at the last second I decided I was going to stick with the strategy I’ve adopted since we moved into the city: make eye contact with anyone who is willing, and say hello. No matter how intimidating this group seemed. No matter how grouchy the two old men looked; no matter how the young men made me feel.

“Hi,” I said, looking up at a few of the guys, and they parted as we went through. At first it was all stares and silence. They stopped talking while we walked through. Then one of the older men, a man with jowls and wrinkles around his eyes and white stubble for hair, smiled, and his smile was like water.

“You have a good night, now,” he said, his voice music.

“Thanks. You, too,” Maile said, smiling. Abra waved, then dashed behind me and hid. Lucy grew bashful.

And then, one of the younger men, one with a handkerchief tied on to his head, a young man with tattoos and a sort of natural scowl, glanced down at my four kids trailing behind me like ducklings, took in my wife’s belly holding baby number five, and that toughest man of the group smiled and nearly laughed.

“Happy Father’s Day, man,” he said, shaking his head and giving out a loud “Whew!” while taking in the small crowd that is our family. All the other guys laughed, and I laughed with them.

“Thanks, man,” I said, and I felt this shock race through me, a shock that came from the realization that we are not different, this man and me. We are the same, no matter how we dress or talk or carry ourselves. No matter our skin color or talents or upbringing.

We are human.

Sometimes it will almost bring you to tears, the kindness of strangers, and especially when you feel like the strangest one.

From Forty Acres to James Street (or, Moving, in Eight Acts)

IMG_0971

The Lord has been so good to me,
I feel like traveling on;
Until that blessed home I see,
I feel like traveling on

The wild raspberries are on the way, their blossoms lining the half-mile lane with white spots. The tree leaves have unfurled as well, like arthritic hands suddenly wide open, released from all pain.

Forty acres of spring will do that. It will open you up. Spring is like a confession, or the last soldier laying down the last weapon and sighing with relief.

* * * * *

There’s an ocean of pain and disappointment in the world, but sometimes we’re given a respite from this knowledge. Sometimes we’re given short periods of time where we can wander inland, away from those dark shores, and we can set up a life for ourselves. We forget, and we stay busy, because if we sit in silence we hear the distant roar of those persistent waves.

Eventually though, the reminder comes back, that death is everywhere, enormous pain just around the corner. Cancer. Divorce. Failure. Eventually you have to watch someone you love travel through a space of incredible pain, and there’s not a single thing you can do to change it.

So you sit there and you listen. You wait for it to pass, whatever that might mean, whatever that might look like.

As you get older, you go down to those painful shores much more often.

How does one get to the place where you’re not simply waiting for the next bad thing to happen? It has taken me 37 years to learn this, that life is not about finding a place where pain does not exist, but more about finding a way to sing through it.

* * * * *

We’re moving, again, to our tenth residence in fifteen years. We’ve lived in basements and almost-palaces, small one-story homes in Florida and even smaller cottages in England. We’ve battled stink bugs and mice and an enormous spider that lived under our bathtub in Buckinghamshire. When I went to the bathroom in the middle of the night, I could see one of its hairy legs sticking out of the hole where it lived.

When I came back up to the bedroom, Maile would always ask the same question in a sleepy voice.

“How’s Shelob?”

* * * * *

The kids run through the new house. It’s still empty – moving day is May 31st. Their voices echo down long halls, their footsteps vanishing into the third floor high above. But Abra trails behind, dawdling around an empty wardrobe.

Her hand reaches up and strokes one of the door handles. Her blond head of hair tilts to the side as she tries to peer through the crack. She turns and sees me sitting there. She smiles, embarrassed, but she can’t resist sharing her little secret.

“Daddy, look. It’s a magic wardrobe. If you go into it, you never know where you might come out.”

Where will we come out? I wonder. We’ve stepped into the wardrobe and we push our hands towards the back, feeling our way into…what?

* * * * *

Two in the morning on our first night in the new house. I stirred throughout the night, hearing the voices of young men as they walked the dark streets. A siren wails past the house. Then a car pulls up to the light just down the street, revving its engine, its exhaust fitted with some kind of other-wordly noise maker.

It screams over and over, waiting for the green light. Then the light turns and the car jets off into the night, into the city.

I hear footsteps pounding through the house. I sit up. Our oldest son races in from a bedroom he no longer shares with our youngest son. They all have their own rooms now, their own worlds.

“Dad,” he asks in a panicked voice. “What was that?”

“Just a car, buddy. Just a very loud car.”

“Oh,” he says, reluctantly returning to his own room.

* * * * *

A few days later, Maile wanders a grocery store in the city, looking for milk. A young boy, probably as old as our oldest son (10 years old), walks up to her holding two loaves of bread. He raised them towards her, and in broken English manages to communicate to her that he doesn’t know the price. She looks at the shelf.

“Those are two for $3,” she says. He holds up a handful of change and shrugs his shoulders. She helps him count out the money.

“I pay you?” he asks.

“No,” she says, smiling. “Come.”

So she takes him to the register and helps him check out. This is life in the city, seeing a ten-year-old child at the grocery store alone, helping him pay for a loaf of bread.

* * * * *

This is what it means, to live in the city, where you are forced to live with other people’s noise, where you walk outside and listen to Miss Joyce tell you for the hundredth time that she is being forced to move, that she doesn’t want to move because it means giving up her cats, that she doesn’t want to move because she’s rented here for 36 years. And she cries again, and you tell her it will be okay.

Living in the city for one week has taught me that if people look scary, it’s not their fault – it’s my fault. It’s how I choose to view them. I started saying hello to all the scary people, and 99% of them say hello in return, most of them with a smile on their face.

There’s something about living in the city that will unite you with all kinds of different people, if you let it.

* * * * *

We sit on the roof of our house and watch the fireworks explode in the sky, stars being reborn, or dying. The flashes of light reflect on the faces of my four children. Maile watches from the window behind us, the window we crawled through.

This season of life will change us, if we let it. It will open us up, like spring.

What Woke Me Up

IMG_0567

The guy looked at me and said something that drilled down deep inside of me.

“I have to thank you. When I got laid off eighteen months ago, I was pretty discouraged, but I was also determined. I read two books that made a huge difference and put me on the right path: Stephen Pressfield’s Do The Work, and your book, Building a Life Out of Words.

I was shocked. Building a Life Out of Words has gotten into the hands of maybe 5,000 people in the last few years, at the most. It’s a little e-book I put together, and I don’t really think about it too much anymore. But it’s making a difference.

* * * * *

“Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one’s mistakes.”

– Oscar Wilde, The Picture of Dorian Gray

* * * * *

We have been seduced by the voices of fame and fortune. Their siren-call lured us to the island of perfectionism, and now we refuse to leave unless we can be guaranteed of success. Instead of building a makeshift boat with the materials at hand, we wait for the perfect ship to sail.

We put off creating because we reason that what we will create won’t be enjoyed by millions or even tens of thousands. We reason that what we have to say has surely been said before; what we want to write about or paint or build or capture with a camera, well, there’s nothing new under the sun, right?

And even if we do it, it’s already been done much better by someone else.

Right?

I’m 37 years old and I’m tired of waiting for inspiration, I’m tired of waiting to publish my fiction until I’m assured of a best-seller. I’m not going to let the idea of failure keep me from trying. I think there are a lot of you out there like me. You think you’re not good enough, or experienced enough, or talented enough.

But now’s the time.

Start that new blog.

Write your script.

Self-publish your novel.

Write your memoir.

Take a cooking class.

Show people your photographs.

Build your bookshelf.

Write an e-book.

Buy your first paint set and canvas.

Remodel your bathroom.

Take up the piano.

Make your movie.

You can’t get these years back. Perfectionism is getting you nowhere. Waiting for the approval of others is getting you nowhere. What you create will make a difference for someone, and that’s enough reason to stop waiting.

When Someone Rents a Billboard To Tell The World You’re a Terrible Writer

8290599649I shared my greatest fear here at the blog the other day (the one about publishing my fiction, not the one about staring down another two years of dirty diapers). I’ve spent a lot of time thinking through what it is about that particular thing that makes me so scared.

At first I thought the main fear is that it won’t be any good, which is kind of a silly thing to be afraid of. If it’s not very good, then a few of you will read it and think, Hmm, that’s not very good, and then you’ll get on with your life. You probably won’t think (that much) less of me simply because I wrote a terrible novel that didn’t deliver. You (probably) won’t track me down and demand your $10 back. You won’t take out billboards in major cities and have them say, “Shawn Smucker is a terrible writer.”

That is not a likely outcome. It’s nothing to be afraid of. (Besides, if you rented billboards, at least my blog traffic would spike.)

I’m also fairly certain that at least some of you will enjoy it, which will be nice. Some of you might even enjoy it enough to talk with me about it, or share it with other people. That seems like a reasonable outcome to expect.

That doesn’t sound like something to be afraid of.

There’s a small chance that most of you will enjoy the story quite a bit, in which case you will tell your friends about it and they will enjoy it, too. You’ll say mostly kind things about it, and you might even like one or two of the characters. That sounds like a fun scenario.

And not in the least bit scary.

None of those three outcomes sound scary to me. Not at all, in fact, now that I’ve written them down, where I can see them. When you throw light on the shadows, it’s amazing how quickly they disappear.

But it leaves me thinking, if those three outcomes aren’t what I’m scared of, then what am I actually scared of? What fear lies at the foundation of my hesitance to publish a book of fiction? What is really keeping me from doing that?

It didn’t take me long to find out the real reason for my fear: I’m worried that it won’t be exceptional. I’m worried that by releasing this book, I’ll be confronted with my ordinariness. This, I think, is what scares me the most as a writer.

But I’m realizing there is something I fear more than being ordinary.

I’m extremely frightened of not writing fiction. I’m scared of what not sharing my work will do to me, my creativity, and my general growth as a writer and a person. I feel that I have a few major life lessons to learn on the other side of publishing my stories, things to learn about myself and the world.

The last thing I want to do is carry untold stories to my grave. Even if, told, they are only read by a few hundred people.

That’s what I’m afraid of.

So I ask again, “What are you afraid of?”