The Gift that Darkness Has to Offer (or, When My Childhood Christmas Isn’t Enough)

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December seems a little more gray this year, doesn’t it? I don’t know, maybe it’s just me. Seems the sun doesn’t come out often, and these long nights have me prying myself out of bed in the morning.

Decembers were brighter when I was a kid, of that I’m sure. I remember riding the bus to school through a glaring kind of light, the giddy premonition of gifts only a few weeks away. The smooth plastic of the bus seats. The air was freezing cold, liquid hope, and the ground might have been hard and brittle but I barely noticed because Christmas!

These days though, as a newly-minted 38-year-old, I’m more aware of the darkness.

You see it in the furrows of a friend’s forehead when he says, “Yeah, I wouldn’t mind if we could just sort of skip over this Christmas, you know? I know I shouldn’t say that, but…” and his voice trails off.

You see it in the almost guilty look after you ask a friend how she’s doing and she says, “We’re doing okay, I guess.” Guilty because we’re not supposed to say how we’re really doing right? It’s Christmas! Joy to the world!

When will give ourselves permission to mourn, to feel, to talk about the cold and the darkness?

It all reminds me of the lyrics from the song “Another Christmas” by Over the Rhine:

‘Cause I’ve committed every sin
And each one leaves a different scar
It’s just the world I’m livin’ in
And I could use a guiding star

I hope that I can still believe
The Christ child holds a gift for me
Am I able to receive
Peace on earth this Christmas?

* * * * *

A friend recently went into the hospital with an unexplained, seemingly life-threatening illness. Families that I know prepare for their first Christmas without a loved one. People are senselessly slaughtered.

Jesus arrived in a manger, the embodiment of everything that so many had been waiting for. But sometimes I look at what we’re left with, here in the aftermath of that birth, that life. Sometimes you have to wonder if the good guys actually did win.

When I was little, the Christmas of Santa Claus was enough for me: the flashing lights, the shopping mall, the waiting with anticipation for Christmas morning gifts. Two weeks off of school and snow if we were really lucky. That was Christmas, and that was enough.

But now? I need Christmas to be more. I feel the acute pang of waiting for a savior. I have that hope of which the angels sing, but I also have the knowledge that the world remains a dark and difficult place, and this tension between hope and waiting, bright and dark, lights and shadow, leaves me feeling less Jingle Bells, Jingle Bells, Jingle All the Way and more O Come, O Come Emanuel.

* * * * *

Have you been trying too hard
Have you been holding too tight
Have you been worrying too much lately
All night
Whatever we’ve lost
I think we’re gonna let it go
Let it fall
Like snow

‘Cause rain and leaves
And snow and tears and stars
And that’s not all my friend
They all fall with confidence and grace
So let it fall, let it fall

– “Let it Fall” by Over the Rhine

* * * * *

I walk home through a bustling city, my breath exploding in cloudy bursts. I turn the corner, walk up the stairs to our house, unlock the door, walk in. We have a warm house, and that blessing does not escape my attention these days. The kids come running. I find Leo, nearly six months old, and he looks at me through eyes that don’t know worry or despair. Everything for him is now, here, this present moment. I lay down on the floor and put him on my chest and he pulls at my beard, his little fingers grabbing and pinching. He drools non-stop these days, teeth on the way.

This is hope, I suppose: playing with children, walking through the city, being willing to love. Hope exists only in the tension, and it might be the only gift that darkness has to offer.

Why I Write (or, Let Me Tell You a Secret About Writing a Book)

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For those of you who’ve never had the chance to write a book, I’m going to let you in on a little secret. For most of us writers, there doesn’t come a time when crowds of people start following us through the street for our autograph (that’s not the secret). For most of us, a royalty check has not yet arrived in the mail that we look at and say, “That’s cool – now I can pay off the house” (that’s not the secret either).

Here’s the secret.

In my experience, for every book I’ve written, there’s come a moment in time when a light has fallen down from the heavens and a voice has whispered in my ear, “This is why you wrote this book.”

Seriously. I’m not kidding.

Sometimes that moment happens before the book is ever published. When I wrote Think No Evil, a book about forgiveness in the midst of the Amish schoolhouse shooting, that moment came as I sat across from first responders who had the chance to talk about what they experienced on that horrendous day. As they wept and talked and processed, that little voice said, “This is why you’re writing this book.”

During work on a recent family memoir, a daughter of the lady the book was about looked at me with tears in her eyes and said, “I never knew my mom went through all of this stuff. Thank you.”

At a book signing I attended with Tim Kreider for the book Refuse to Drown, more than one person leaned in close to Tim and I and said, “My relative did something horrible, and it had a huge impact on our family. Thank you for writing this book.”

This is why you wrote this book.

* * * * *

If you look inside my recent novel, The Day the Angels Fell, you’ll see that it’s dedicated to the following people:

To Maile,
Cade, Lucy, Abra,
Sam, and Leo,
for being the main characters
in my favorite story.

And to the families of
Peter Perella
and
Jason Darity.

Peter and Jason are two high school friends of mine who passed away in the last sixteen months. They were both in their 30s. Jason was an incredible man, raising his daughter, determined to live a good life.

Peter’s family, the Perellas, played a huge role throughout my childhood. His cousin Johnny is one of my very best friends, and his uncle was my little league baseball coach when I was six years old (as well as my 4th grade teacher). His aunt was also a teacher at my elementary school. His father was my music teacher in middle school, and his two brothers played soccer with me and my cousins. His mother is a librarian at our local library. The name Perella has provided a wonderful backdrop to my childhood.

Peter died of cancer earlier this year.

* * * * *

On Wednesday night, I got a message from Peter’s brother Tom asking if I’d sign and write notes in three books for Peter’s three children. I don’t know Peter’s wife or his kids, but I feel like I do. I signed those three books, thinking quite a lot about my own children as I wrote to each of Peter’s children. If I was gone, what would I want someone to write to my own kids?

And as I signed each of those books, I thought to myself,

This is why I wrote this book.

When the Candles Keep Going Out (or, “Tell Her That Her Sad Days Are Gone”)

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I parked along Duke Street in front of the Lancaster County courthouse, and the cold leaked into the truck as soon as I opened the door. Five-month-old Leo stared up at me, dark eyes wide, two black holes into which entire galaxies have spilled. I unbuckled him from his seat, walked close to the truck so oncoming traffic wouldn’t usher both of us into eternity, and joined the rest of the family on the sidewalk where the kids exclaimed their delight at the decorating lamp posts. Christmas greens and red bows.

The “Don’t Walk” hand flashed so we trotted across Orange Street, the kids shouting out the countdown.

“Oh, no!” Sam shouted back to Maile and I as the hand solidified. “You guys didn’t make it! The street exploded!”

Crossing Duke was a less violent affair. We all made it safely to the other side, then walked up the stairs into the solemn, dimly-lit beauty that is St. James Episcopal Church on a winter’s night, eleven days before Christmas.

I thought about coming to church just that morning, less than twelve hours prior, and how I had walked down to Square One Coffee Shop and then came back in time to pick the children up from choir practice. It was the first I had noticed the iron plaque on the side of the church:

St. James Episcopal Church
Founded 1744

* * * * *

Sometimes church feels more like an exercise in teaching children how to control their impulses than anything else. Stop picking your nose and please don’t nibble on your hair, that’s gross, and stand up straight and sit quietly and can you please stop laying down in the pew and wouldn’t this be a more enjoyable evening if you listened to the music instead of moaning about how hungry you are? The minutes pass slowly.

“I love our children, I really do,” I told Maile later that night. “But sometimes I think a quiet church service, alone, would do my soul good.”

But that was later. In the mean time, I tried to enjoy the “Festival of Advent Lessons and Carols” as best I could, surrounded by the whirling dervish of five children. And it was right there in the First Lesson, in the midst of children grabbing for the Book of Common Prayer and arguing over who owns the small green rubber monster just found in the depths of a pocket, when God reached down and spoke to me:

“Comfort, comfort my people,”
    says your God.
“Speak tenderly to Jerusalem.
Tell her that her sad days are gone…”
Isaiah 40:1-2

These words made me sigh, and suddenly all the shenanigans going on in our pew faded away. I stared at the stained glass.

How long, O Lord? I thought to myself. How long until the sad days will be gone?

* * * * *

This is the 270th Advent celebrated at St. James Episcopal. Through wars and rumors of wars, diseases and epidemics, harvests and blessings. Births and deaths. Over and over again, we remember, and we hope. But at some point you have to stop and wonder.

How long?

How long until these injustices are reckoned for?

How long until the people are comforted?

* * * * *

We stayed after church and spoke to some friends and relatives who were there, and someone who was cleaning up gave Lucy a long brass rod with a bell-shape hanging from the end of it, so she walked down the long aisle, gently lowering it onto each flame. Then smoke, and darkness.

This is hope: lighting candles in a church where candles have already been lit for 270 years, candles that we know will flicker and fade and eventually be snuffed out for another year.

And lighting them again.

Why I Went to the Inner City Elementary School

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On Saturday night Maile turned the fan off in our bedroom, the fan that is usually on high speed and sounds like a helicopter preparing to lift off. It’s been a long time since we’ve slept without that fan on, and for the rest of the night I kept waking up to voices on James Street, people shouting back and forth, cars with loud exhausts and squealing tires.

There’s a lot that goes on in the city when most of us are sleeping, but it’s pretty easy to tune it out if you have decent windows and a loud fan.

* * * * *

I was a little nervous the first week I showed up to teach creative writing to ten 4th and 5th graders at one of the elementary schools here in the city. I didn’t know what to expect. Would they listen to me? Would they even be interested at all in writing?

Turns out they love to write. I’d give them an idea for something to work on and then, for the next twenty or thirty minutes, they’d write. The silence was glorious – I wonder if they could feel it, too, the way that silence works into your bloodstream, the way it gives life. Their pens scratched through the notebooks I gave them and at the end of the first week most of them wanted to take their notebooks home with them, so I said go for it, and the next week everyone remembered to bring them back, and they had more writing in them, more ideas.

* * * * *

I learned a lot while doing this class with them. I learned that we write within our experience, and if we’re subjected to violence or unhappiness or kindness, that’s what we write about. I learned that good writing is often silly writing.

Perhaps most importantly for me, I was reminded that a good story is nothing more than a character in a setting who faces conflict. To see this basic formula play out again and again in the writing of twelve year olds was fascinating.

Most of all, I learned that there’s a whole city, a whole world out there, waiting for us to turn off our fans and really listen. It’s easy enough to turn off our lights and sleep through life, caring only for the people inside our own four, warm walls. Are you tuning out the world? There are voices out there that need to be heard.

* * * * *

I walked down the street this morning, Sunday, and the sidewalks were mostly empty. Then I saw a kid coming towards me on the other side of Duke Street. It was one of the kids from my class. I shouted his name. He didn’t hear me. I shouted it again. He looked up. His eyes lit up and he waved. It was strange for both of us, seeing each other in a different setting, in real life, where our minds weren’t cloaked behind characters and conflict.

There are voices out there that need to be heard.

 

Stop Listening To Those Voices. Create.

A friend of mine posted this on her FB page last night. She received her book! They're making their way into the world, and I'm in two minds about that.
A friend of mine posted this on her FB page last night. She received her book! They’re making their way into the world, and I’m in two minds about that.

I spent over two hours in the post office on Friday mailing nearly 200 copies of The Day the Angels Fell to six different countries. At first the lady at the post office wasn’t too sure what to think of me, but by the end of it we were chatting amicably and when I found out she liked to read, I gave her a copy. You can always tell a reader by the way they receive the gift of a book.

Two hours is a long time to stand there watching someone scan and rescan and rescan barcodes and stamp stamp stamp and type type type. It was one of those times when the voices started up again in my head. Those good old voices.

Kickstarter was a great idea, wasn’t it? the first voice asked. I mean, now instead of making a fool of yourself in front of your family and friends, you’re doing it in front of a few hundred people!

I grimaced.

Also, another voice chimes in, now that you’ve already started scheduling a book tour, that will work out perfectly once all those 1-star reviews start coming in. How fun will that be, touring with a book that everyone hates!

I squirmed.

These guys don’t pull any punches. They know how to hit you where it hurts.

* * * * *

After listening to Anne Lamott the other week, I realized that one of the things I love most about her is that she’s reached a stage in life where she seems not to care what other people think about her, and she doesn’t try to control others. Wow. Those are two things I would love to be able to say.

I don’t care what other people think about me.

I refuse to try to control other people through judgment or manipulation.

I feel lighter, just thinking about living that way.

* * * * *

So as those yellow envelopes got barcoded and stamped and sent to Australia, Canada, Germany, the Netherlands, England, and the US, I decided that I was going to celebrate the moment. I sent out 200 books to people who wanted to read them! That’s pretty cool. On the way home I stopped at the Fractured Prune for a dozen Mocha Buzz donuts, and when I got home they were still warm and Maile, my kids and I had a little celebratory snack, both because I had escaped the purgatory that is the USPS on a Friday just before Christmas and also because The Day the Angels Fell is making its way into the world. I don’t think we celebrate our creative endeavors enough. I know I don’t.

We can’t let our fear of failure keep us from creating. We can’t let an overdeveloped need-for-acceptance stunt our development as creative people, because this thing has to be created in order for that next thing to be created in order for that finally-beautiful thing to be created. Start now and don’t look around. Put on the blinders. Move forward.

Create.

* * * * *

For any of you who receive your copy this week, post a photo of you with the book on Instagram or Facebook and tag me (@shawnsmucker on Instagram or Shawn Smucker, Writer on Facebook), and you’ll be entered to win a free copy of the book. On Friday I’ll draw five winners and mail a copy to one person of your choosing (which could be you if you want a second copy).

Four days until the launch!

That Time I Got Caught Without My Phone

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I was walking down Queen Street with my four oldest kids a few weeks ago on our way to a wonderful little Italian bakery here in the city of Lancaster. We piled into the small store and I was all “Stop touching the glass Abra” and “Stop climbing up the stools Sam.” We stood there in a line at one point, all five of us, our eyes glistening in the light reflected from a case of deliciousness.

And I thought to myself, this will make a great blog post. I reached for my phone to take the perfect Instagram, a shot of the back of my four kids staring into the eyes of their next sugar rush, but I had left my phone at home, intentionally. For just that reason. Because I knew I’d be reaching for it, and, let’s be honest, sometimes we all need to take a break from those little plastic dictators.

But I was disappointed I didn’t have my phone and I was thinking of the different angles for the blog post and you know what? It just didn’t feel right. I’m finding it increasingly harder to enjoy the moment I’m in because I’m thinking of my audience ALL. THE. TIME.

That’s right. It’s your fault.

Well, not really.

* * * * *

My friend Nish Weiseth (who wrote an excellent book recently titled Speak) shared an article recently written by Michael David Friberg. One of the parts that jumped out at me was this:

I think because the space between creating and promoting has been so drastically shrunken by the instantaneous way we are able to share work we’ve made, we (people in my generation, myself included) have confused the two. The two are not the same. Making stuff is why we got into this in the first place but making stuff can take second place next to the small endorphin rush of a like or reblog.

Yes.

And this isn’t just about the creation and promotion of books or music. This is the creation and promotion of our lives. We confuse the creation of a life and the promotion of a life. They’re not the same thing, you know.

He goes on to write

Being able to share work and consume work is amazing but the delivery system is not without costs. It is a system that rewards single, crowd pleasing images. It rewards pandering. It can make you aware of an audience before you ever even push the button. That is not a place I want to admit being and I doubt you do either but if you haven’t ever seen something amazing in real life and subconsciously thought, “this is going to blow up on instagram” while reaching for your phone, you are a better person than I am.

So what? you might ask. Who cares if we’re mixing promotion and creation? Who cares if we’re getting an endorphin rush from the likes and retweets of small things?

I have to care, because the fact is, I want to write novels. I want to write long stories. And the rush I get from being retweeted or Instagrammed can divert me from the work I want to do. The pursuit of likes is a timely one, and I’m becoming less and less sure that it’s worth the effort.

Our lizard brains are getting trained by the feelings we get from having success on these platforms. Since we are artists or photographers, we are all broken people subconsciously seeking validation and social media is the perfect delivery system for a false sense of importance.

This can happen to all of us, whether or not your a writer, an artist, a musician, or working 9-5. We’re all seeking validation, and there’s nothing wrong with Facebook or Pinterest (I’m not planning on going anywhere anytime soon). But is our desire to be “liked” interrupting what might be a really important moment in life because we can’t let it slip by without posting it on Facebook?

Is our pursuit of being liked or followed or pinned diverting us from the really important work we would rather be focusing on?