Why I Write (or, Let Me Tell You a Secret About Writing a Book)

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For those of you who’ve never had the chance to write a book, I’m going to let you in on a little secret. For most of us writers, there doesn’t come a time when crowds of people start following us through the street for our autograph (that’s not the secret). For most of us, a royalty check has not yet arrived in the mail that we look at and say, “That’s cool – now I can pay off the house” (that’s not the secret either).

Here’s the secret.

In my experience, for every book I’ve written, there’s come a moment in time when a light has fallen down from the heavens and a voice has whispered in my ear, “This is why you wrote this book.”

Seriously. I’m not kidding.

Sometimes that moment happens before the book is ever published. When I wrote Think No Evil, a book about forgiveness in the midst of the Amish schoolhouse shooting, that moment came as I sat across from first responders who had the chance to talk about what they experienced on that horrendous day. As they wept and talked and processed, that little voice said, “This is why you’re writing this book.”

During work on a recent family memoir, a daughter of the lady the book was about looked at me with tears in her eyes and said, “I never knew my mom went through all of this stuff. Thank you.”

At a book signing I attended with Tim Kreider for the book Refuse to Drown, more than one person leaned in close to Tim and I and said, “My relative did something horrible, and it had a huge impact on our family. Thank you for writing this book.”

This is why you wrote this book.

* * * * *

If you look inside my recent novel, The Day the Angels Fell, you’ll see that it’s dedicated to the following people:

To Maile,
Cade, Lucy, Abra,
Sam, and Leo,
for being the main characters
in my favorite story.

And to the families of
Peter Perella
and
Jason Darity.

Peter and Jason are two high school friends of mine who passed away in the last sixteen months. They were both in their 30s. Jason was an incredible man, raising his daughter, determined to live a good life.

Peter’s family, the Perellas, played a huge role throughout my childhood. His cousin Johnny is one of my very best friends, and his uncle was my little league baseball coach when I was six years old (as well as my 4th grade teacher). His aunt was also a teacher at my elementary school. His father was my music teacher in middle school, and his two brothers played soccer with me and my cousins. His mother is a librarian at our local library. The name Perella has provided a wonderful backdrop to my childhood.

Peter died of cancer earlier this year.

* * * * *

On Wednesday night, I got a message from Peter’s brother Tom asking if I’d sign and write notes in three books for Peter’s three children. I don’t know Peter’s wife or his kids, but I feel like I do. I signed those three books, thinking quite a lot about my own children as I wrote to each of Peter’s children. If I was gone, what would I want someone to write to my own kids?

And as I signed each of those books, I thought to myself,

This is why I wrote this book.

Why I’m Almost Speechless (or, The Official Launch of “The Day the Angels Fell”)

cover010-e1416195041963I started blogging sometime in January, 2010. Five years ago. And in that time I made some great friends in this rather incredible place called the Internet. And I found some pretty loyal readers. Some of you have walked alongside Maile and I and our kids through those really difficult early years. You came along on our 10,000-mile cross-country trip. You encouraged me through some tough times and you were always there to celebrate with me when things went well.

I feel like today is one of these landmarks we get to experience together: the release of my first novel, The Day the Angels Fell. While I’m extremely nervous about sending this book into the world, the fact that so many of you are walking through the process with me is very encouraging. The fact that you all helped me hit my Kickstarter goal in less than two days still blows me away.

Thank you.

The book releases today. If you’d like to go ahead and purchase a copy, you can find it at Aaron’s Books in Lititz, PA (support a local bookstore!), on Amazon, or HERE for Kindle.

To celebrate the release of The Day the Angels Fell, I’ll be running a little contest here at the blog. It ends midnight, Friday night. The prizes include:

– one limited-edition hardback of The Day the Angels Fell

– one paperback version of The Day the Angels Fell

– one $25 gift card for Aaron’s Books in Lititz, PA

– one $25 Amazon gift card

Enter the contest through Rafflecopter below (you may need to click over to my site if you’re viewing this post as an email), and I’ll announce the winners here at the blog on Saturday (I’ll also be announcing the five winners from the Kickstarter campaign – if you bought a book through Kickstarter, share a photo of the book on Instagram or Facebook by Friday night to enter that drawing).

Thanks again for all of your kindness to me, and I hope you enjoy The Day the Angels Fell.

a Rafflecopter giveaway

Mind the Gap

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Today’s guest post is brought to you by Erin Feldman, an online friend of mine who is in the middle of a Kickstarter campaign. I’ll let her tell you about it, but please consider helping her reach her goal:

* * * * *

Nobody tells this to people who are beginners, [but] I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. – Ira Glass

When I first started writing poetry, I explored the familiar territory of childhood and adolescence. It was a good starting point, a necessary one, but I eventually came to the end of myself. I could only write about my life for so long. What then?

It was my first gap, and I wrestled with it. Poetry seemed the best way to express myself. Did I really have no more words? What if I never wrote another poem again? The worry and fear nagged at me. I kept attempting poems, but they were awful, awful things. I’m sure I have them in a notebook somewhere, but I keep them hidden from view. I remember them because I need to mind the gap, but I don’t ever intend to return to them.

How did I move forward? I worked. I trained myself to do “the horrible work necessary to do to get to writing well, that is so difficult one may just not be willing to do it.”[1] I fought the worries and fears. I went back to school where I encountered another gap: being surrounded by poets and fictions writers who seemed to have everything together. I now know they didn’t, but I had no inkling of that at the time. I only knew I felt out of place and incompetent. I wondered how in the world I’d managed to get into a creative writing program in the first place.

The doubts followed me, but I continued writing. I did the “hard work…responsible for the sudden ease of the second.”[2] I held onto a hope, however small and fragile, that I was supposed to be in that setting. I was supposed to be writing poems. Eventually, poems came, poems set free into a love of language and image and ideas. Eventually, I found the confidence to term myself a poet.

I would never have found either of those things without the drudgery of the work and the encouragement of mentors. The same holds true with other writers and artists. They need someone to remind them that they have been called to their work, whatever that may be. They need to know it’s all right to feel frustrated and angry when they encounter the gaps. More importantly, they need a little light when they’re in one of those gaps, which is why I created an Emergency Hope Kit.

While I can’t be physically present to tell writers and artists to press on, I can offer hope and encouragement through a journal filled with instructions, quotes and Scripture verses, and illustrations. I can give them the means to plod on for a while longer until they find “the sudden ease” of a poem, a novel, a drawing, or other art form. I can do that.

Interested in learning more about the Emergency Hope Kit or pledging to purchase one? Visit the Kickstarter.

[1] from Dean Young’s The Art of Recklessness: Poetry as Assertive Force and Contradiction

[2] from Richard Hugo’s The Triggering Town: Lectures and Essays on Poetry and Writing

When the Candles Keep Going Out (or, “Tell Her That Her Sad Days Are Gone”)

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I parked along Duke Street in front of the Lancaster County courthouse, and the cold leaked into the truck as soon as I opened the door. Five-month-old Leo stared up at me, dark eyes wide, two black holes into which entire galaxies have spilled. I unbuckled him from his seat, walked close to the truck so oncoming traffic wouldn’t usher both of us into eternity, and joined the rest of the family on the sidewalk where the kids exclaimed their delight at the decorating lamp posts. Christmas greens and red bows.

The “Don’t Walk” hand flashed so we trotted across Orange Street, the kids shouting out the countdown.

“Oh, no!” Sam shouted back to Maile and I as the hand solidified. “You guys didn’t make it! The street exploded!”

Crossing Duke was a less violent affair. We all made it safely to the other side, then walked up the stairs into the solemn, dimly-lit beauty that is St. James Episcopal Church on a winter’s night, eleven days before Christmas.

I thought about coming to church just that morning, less than twelve hours prior, and how I had walked down to Square One Coffee Shop and then came back in time to pick the children up from choir practice. It was the first I had noticed the iron plaque on the side of the church:

St. James Episcopal Church
Founded 1744

* * * * *

Sometimes church feels more like an exercise in teaching children how to control their impulses than anything else. Stop picking your nose and please don’t nibble on your hair, that’s gross, and stand up straight and sit quietly and can you please stop laying down in the pew and wouldn’t this be a more enjoyable evening if you listened to the music instead of moaning about how hungry you are? The minutes pass slowly.

“I love our children, I really do,” I told Maile later that night. “But sometimes I think a quiet church service, alone, would do my soul good.”

But that was later. In the mean time, I tried to enjoy the “Festival of Advent Lessons and Carols” as best I could, surrounded by the whirling dervish of five children. And it was right there in the First Lesson, in the midst of children grabbing for the Book of Common Prayer and arguing over who owns the small green rubber monster just found in the depths of a pocket, when God reached down and spoke to me:

“Comfort, comfort my people,”
    says your God.
“Speak tenderly to Jerusalem.
Tell her that her sad days are gone…”
Isaiah 40:1-2

These words made me sigh, and suddenly all the shenanigans going on in our pew faded away. I stared at the stained glass.

How long, O Lord? I thought to myself. How long until the sad days will be gone?

* * * * *

This is the 270th Advent celebrated at St. James Episcopal. Through wars and rumors of wars, diseases and epidemics, harvests and blessings. Births and deaths. Over and over again, we remember, and we hope. But at some point you have to stop and wonder.

How long?

How long until these injustices are reckoned for?

How long until the people are comforted?

* * * * *

We stayed after church and spoke to some friends and relatives who were there, and someone who was cleaning up gave Lucy a long brass rod with a bell-shape hanging from the end of it, so she walked down the long aisle, gently lowering it onto each flame. Then smoke, and darkness.

This is hope: lighting candles in a church where candles have already been lit for 270 years, candles that we know will flicker and fade and eventually be snuffed out for another year.

And lighting them again.

Why I Went to the Inner City Elementary School

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On Saturday night Maile turned the fan off in our bedroom, the fan that is usually on high speed and sounds like a helicopter preparing to lift off. It’s been a long time since we’ve slept without that fan on, and for the rest of the night I kept waking up to voices on James Street, people shouting back and forth, cars with loud exhausts and squealing tires.

There’s a lot that goes on in the city when most of us are sleeping, but it’s pretty easy to tune it out if you have decent windows and a loud fan.

* * * * *

I was a little nervous the first week I showed up to teach creative writing to ten 4th and 5th graders at one of the elementary schools here in the city. I didn’t know what to expect. Would they listen to me? Would they even be interested at all in writing?

Turns out they love to write. I’d give them an idea for something to work on and then, for the next twenty or thirty minutes, they’d write. The silence was glorious – I wonder if they could feel it, too, the way that silence works into your bloodstream, the way it gives life. Their pens scratched through the notebooks I gave them and at the end of the first week most of them wanted to take their notebooks home with them, so I said go for it, and the next week everyone remembered to bring them back, and they had more writing in them, more ideas.

* * * * *

I learned a lot while doing this class with them. I learned that we write within our experience, and if we’re subjected to violence or unhappiness or kindness, that’s what we write about. I learned that good writing is often silly writing.

Perhaps most importantly for me, I was reminded that a good story is nothing more than a character in a setting who faces conflict. To see this basic formula play out again and again in the writing of twelve year olds was fascinating.

Most of all, I learned that there’s a whole city, a whole world out there, waiting for us to turn off our fans and really listen. It’s easy enough to turn off our lights and sleep through life, caring only for the people inside our own four, warm walls. Are you tuning out the world? There are voices out there that need to be heard.

* * * * *

I walked down the street this morning, Sunday, and the sidewalks were mostly empty. Then I saw a kid coming towards me on the other side of Duke Street. It was one of the kids from my class. I shouted his name. He didn’t hear me. I shouted it again. He looked up. His eyes lit up and he waved. It was strange for both of us, seeing each other in a different setting, in real life, where our minds weren’t cloaked behind characters and conflict.

There are voices out there that need to be heard.

 

Stop Listening To Those Voices. Create.

A friend of mine posted this on her FB page last night. She received her book! They're making their way into the world, and I'm in two minds about that.
A friend of mine posted this on her FB page last night. She received her book! They’re making their way into the world, and I’m in two minds about that.

I spent over two hours in the post office on Friday mailing nearly 200 copies of The Day the Angels Fell to six different countries. At first the lady at the post office wasn’t too sure what to think of me, but by the end of it we were chatting amicably and when I found out she liked to read, I gave her a copy. You can always tell a reader by the way they receive the gift of a book.

Two hours is a long time to stand there watching someone scan and rescan and rescan barcodes and stamp stamp stamp and type type type. It was one of those times when the voices started up again in my head. Those good old voices.

Kickstarter was a great idea, wasn’t it? the first voice asked. I mean, now instead of making a fool of yourself in front of your family and friends, you’re doing it in front of a few hundred people!

I grimaced.

Also, another voice chimes in, now that you’ve already started scheduling a book tour, that will work out perfectly once all those 1-star reviews start coming in. How fun will that be, touring with a book that everyone hates!

I squirmed.

These guys don’t pull any punches. They know how to hit you where it hurts.

* * * * *

After listening to Anne Lamott the other week, I realized that one of the things I love most about her is that she’s reached a stage in life where she seems not to care what other people think about her, and she doesn’t try to control others. Wow. Those are two things I would love to be able to say.

I don’t care what other people think about me.

I refuse to try to control other people through judgment or manipulation.

I feel lighter, just thinking about living that way.

* * * * *

So as those yellow envelopes got barcoded and stamped and sent to Australia, Canada, Germany, the Netherlands, England, and the US, I decided that I was going to celebrate the moment. I sent out 200 books to people who wanted to read them! That’s pretty cool. On the way home I stopped at the Fractured Prune for a dozen Mocha Buzz donuts, and when I got home they were still warm and Maile, my kids and I had a little celebratory snack, both because I had escaped the purgatory that is the USPS on a Friday just before Christmas and also because The Day the Angels Fell is making its way into the world. I don’t think we celebrate our creative endeavors enough. I know I don’t.

We can’t let our fear of failure keep us from creating. We can’t let an overdeveloped need-for-acceptance stunt our development as creative people, because this thing has to be created in order for that next thing to be created in order for that finally-beautiful thing to be created. Start now and don’t look around. Put on the blinders. Move forward.

Create.

* * * * *

For any of you who receive your copy this week, post a photo of you with the book on Instagram or Facebook and tag me (@shawnsmucker on Instagram or Shawn Smucker, Writer on Facebook), and you’ll be entered to win a free copy of the book. On Friday I’ll draw five winners and mail a copy to one person of your choosing (which could be you if you want a second copy).

Four days until the launch!