Like Breath Over Still Water: The Arrival of a Baby

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I drive the truck faster, weaving past cars on the city streets. I nearly pull out in front of someone and hit my brakes. We are 35 minutes from the birth center, and Maile’s labor has started. I stop at a red light just as another contraction builds inside her.

This is our sixth child. I know in an intimate way the process my wife’s body goes through when the baby has decided to come. For example: Maile hums through her contractions. It’s quiet at first, barely a breath, but as the contractions get stronger and closer together her voice swells into a loud kind of almost-singing. It’s a prehistoric chant, something in her DNA. But as we sit at the red light, and the contraction swells, that particular pressure transforms her humming into a guttural grunt. I also know what that means.

“Do you have to push?” I ask, looking over at her. This is not a good time to push. We are too far away.

Her lips are pursed and white around the edges. She’s still exhaling the remnants of the last contraction. She nods.

“I wanted to that time.”

The traffic is slow. We hit every light red. Another contraction comes in, tides back out. Another. All those people we pass in their cars, living their normal evenings. Going out to eat. Going home from work. Talking with friends on their phones. Can’t they see there is a miracle in our truck, barely waiting to break forth?

“Play that song again,” Maile whispers. The song is “Born” by Over the Rhine.

I was born to laugh
I learned to laugh though my tears
I was born to love
I’m gonna learn to love without fear

“You should probably drive faster,” she says in a flat, calm voice, but there is a trace of urgency, like a small, red thread on a white carpet.

Pour me a glass of wine
Talk deep into the night
Who knows what we’ll find

I look both ways and pull hesitantly through the red light, then drive the rest of the highway in the center lane, my four-ways flashing. We are 20 minutes from the birth center. But we are finally out of the city. We are fleeing into the country shadows, the sun setting behind us.

* * * * *

This I’ve also seen: when Maile begins labor, when the contractions start to come closer together, she withdraws inside of herself. There is a labyrinth she follows to the deepest parts, and when she’s there, when she’s in active labor, I can’t find her anymore. She wouldn’t recognize me if we passed in the street.

Intuition, deja-vu
The Holy Ghost haunting you
Whatever you got
I don’t mind

At 7:30pm on Saturday night, one hour before we raced down the turn lane of Route 30, she said she wanted to go for a walk, so she and I set out along with Leo and Cade. We went west on James and turned north on Prince and as we walked down the long hill, the sun was setting off to our left, its light dripping into a vacant parking lot. A cool breeze swept by with the traffic. The air felt lighter somehow, as if August had persuaded October to come and take over the evening duties.

FullSizeRenderWe turned east onto Frederick Street. Cade walked ahead. Leo said hello to a little girl playing on the sidewalk. Maile slowed down. She breathed deep, and I could see it beginning to happen: the withdrawal, the searching. She was looking for a way into the labyrinth.

“You okay?” I asked her. There was some fear in her eyes.

“That was a strong one,” she said, walking with one hand supporting her back. “I’m scared. You’re going to have to help me with this baby.”

I nodded quietly.

“You got it, babe,” I said. “One at a time.”

We walked all the way to Duke, turned south, then doubled back on Prince towards home. A homeless man pointed at her stomach.

“I saw another one of you over on Lime,” he said, practically shouting. Indescribable joy was etched on his face. We smiled and nodded.

“Over on Lime!” he insisted. “Pregnant ladies everywhere.” Then he turned and walked away.

We got to the last crosswalk. Soon we would be home. The sign was orange, don’t walk. Maile bent over then arched her back, breathed deep again, hummed. That was the first hum I’d heard. The contractions were serious. She stood up, looked like she might throw up. Her eyes were far away. She was entering the labyrinth.

“Maybe we should head into the birth center,” I said, not expecting her to take me up on the suggestion. She doesn’t like to go in until it’s time. But she surprised me, there on the corner of Queen and James, just opposite the Greek restaurant we love. She didn’t even make eye contact with me. Only nodded.

“That’s a good idea. We should probably hurry a little bit.”

I wondered what it would be like to deliver a baby in the Suburban. I turned to Cade.

“Hey, buddy,” I said. “Why don’t you run ahead and tell Mimi we need to go? Now. Tell her we need to get moving, fast.”

Cade stared at his phone.

“Hey, you,” I said, half laughing. “Get moving.”

“Dad,” he said, looking slightly embarrassed. “I’ve got an awesome Pokemon on the line.”

“What?” I exclaimed. He paused, swiped his fingers up and down his phone, then took off in a sprint.

“I got him!” he shouted joyfully over his shoulder. Maile and I shook our heads. We both laughed.

Put your elbows on the table
I’ll listen long as I am able
There’s nowhere I’d rather be

That’s when we drove out of the city. That’s when I weaved in and out of city traffic. That’s when Maile started to feel an urge to push.

* * * * *

We slip away from the setting sun, now 15 minutes from the birth center. With every contraction I ask her if she needs to push. Sometimes she says yes, sometimes no.

These are the hills where I grew up, the sprawling, green fields with July corn as tall as a man. These are the summer nights I cut my teeth on. This is the land inside me, the place I will someday go home to when my life is over, my far, green country. I am not afraid of helping my wife deliver a baby in the truck, if I have to – not with those fields as witnesses. It almost seems fitting, that a child of mine would spring into being in the midst of the corn and the tobacco, the trees and the fireflies, the quiet, curving roads and the distant storm clouds.

But we make it. There will be no Suburban birth. We pull into the birth center and the nurse lets us in after hours and we go into the same room where Leo was born. The same room. The same bed, the same tub. I remember when Leo was born. I remember texting everyone the news, including our friend Alise who had recently had a stillborn son. I wanted her to know we were thinking of her. There is such joy and sorrow as I get older. Joy inextricably mixed with sorrow. They’re a tangled mess.

The contractions come closer together now, and Maile is far away. She is lost in the labyrinth, trying to find her way to the elusive center. She hums through contractions. She strips down and climbs into the warm bath, facing the corner, squatting down as far as she can, her arms out in front of her. In yoga, it is close to the child’s pose.

She whispers prayers into the water when the pain becomes unbearable. Her breath scatters shallow ripples over the thin surface. Or maybe it is the Spirit. She wants me to push deep into her back, and I press with the heels of my hands. I feel her spine and the deep muscles of her lower back, her ribs.

Bone from my bone. Flesh from my flesh.

She presses herself down until I think she might melt into the water or split in two. She wants help out of the tub, so we move her to the bed. She hums through the contractions and the humming turns louder and louder, rises up over itself until she sounds like a muezzin calling us all to prayer. Her powerful voice gives me chills. She moans and cries out and pushes.

Secret fears, the supernatural
Thank God for this new laughter
Thank God the joke’s on me
We’ve seen the landfill rainbow
We’ve seen the junkyard of love
Baby it’s no place for you and me

The way a child comes into being from a woman is the birth of a galaxy. It is searing pain and numbing joy; it will break you into interstellar pieces. A bundle of powder-coated limbs slips and jumbles its way into the world, still attached to the source. A squirming heap of carbon and water covered in blood and a ghostly vernix. Believe in miracles. They are born every day, attached to their mothers.

When Maile realizes the baby is a girl, she raises her face towards the ceiling. Her smile is like those clear shafts of light that break through storm clouds.

IMG_4221 copyI was born to laugh
I learned to laugh through my tears
I was born to love
I’m gonna learn to love without fear

“What a gift,” she kept whispering over and over again. “What a gift.”

Later, in the quiet, the labyrinth far behind (or perhaps all around, with us finally residing in the perfect center), we name her Poppy Lynne Louella.

Poppy for the ruby red fields in England we often hiked through, gazed at.

Lynne for my Aunt Linda who died a month ago, who rose through a bright pink sunset and fireworks that split the sky.

Louella for Maile’s grandmother, homeless and alone at a young age with only her sister, married at age 16, one of the strongest women we ever knew.

Poppy Lynne Louella.

What a gift.

Italicized lines are from the song “Born” by Over the Rhine, my favorite band. You can purchase the album, “Drunkard’s Prayer,” or listen to more of their songs, HERE.

Regarding the Long Days Before the Baby Comes

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There is the tedious movement of the last few days of a pregnancy. The summer days well up like drips from a faucet, slowly gathering mass, then hanging there much longer than you thought possible. Maile’s stomach drops as the baby seeks out more space. At night she reaches over and grabs my hand, places it on her stomach in a particular spot, like the placing of a stethoscope. Like someone divining water. She doesn’t even say anything, and we sit there quietly, her eyes closed, my hand feeling the heel, the bottom, the bulging movements.

A sharp kick. She glances at me. Her eyes ask, “Did you feel that?”

I smile. After seventeen years you can have an entire conversation without saying a word. She rolls onto her side. I start reading again. I leave my hand on her stomach until she falls asleep.

* * * * *

The older I get, the more tempered my celebrations. I don’t know if this is good or not. It simply is.

When Cade was born thirteen summers ago, in a small hospital thirty miles outside of London, I basked in the joy of having a son. I could barely comprehend the wonder. My world revolved around the three of us, my small family, my insular world. There was no one else.

Now, five children later, my joy is touched by sadness. When our child is born, I will cry happy tears, yes. But I will also remember my friend’s son Eliot who was not born into life but into death. I will think of our friends for whom another month has come and gone without the pregnancy they so desperately want. I will think of my cousin’s child, born with complications.

I think the older we get, the more mixed up our grief and joy become. I supposed I could sit there, try to pull away all the beads of oil from the water. But there it is. Instead of separating it, I will swirl it around, watch the colors spread.

* * * * *

Sammy pushes on Maile’s stomach.

“Careful, you’ll break her waters!” Maile’s mom says, and we smile. Sammy’s intrigue passes from Maile’s belly to his own. He explores his belly button.

“Can boys break their waters?” he asks, deadly serious. We laugh until our sides hurt. Sam is rather pleased with himself.

* * * * *

Maybe we’re not meant to separate the joy from the sorrow. During Jesus’ long monologue in John about love, he interrupts himself to say that if we remain in his love, our joy will be full. Not pure joy. Not unadulterated joy. Full.

Which begs the question, “Full of what?”

Maybe full joy is a joy full of sorrow and grief and happiness and satisfaction and love and everything else, whatever it takes. Maybe full joy is like the movement of a baby still inside or the movement of summer days just before the labor begins.

On Having a 13-Year-Old Son

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I walk down the long, dark hall to his
room, the door barely cracked open, the line of light
like a sunrise. I push the door open and see him
on his bed, headphones on, his head moving
to the bass. He flips the page of the book he is reading.

He does not see me.

Thirteen is the continental
divide, the place where two rain drops falling
side by side can end up in opposite
oceans. It is Matchbox cars and a
laptop, Elmo with baby brother and hesitant
conversations with young ladies. Thirteen
is to have the soul of a child lost in the body
of an almost-man, like a hand in
a too-big glove.

I look at the top of his head and remember
the first time I saw that head crowning, dark hair still
wet from his mother’s womb. So much anticipation, waiting
for the first sight of that face. That face. Screaming,
he came. That is the way of the world.

I move to nudge him, to say good-night. Instead,
I look at him, his long body stretching the entire length
of the bed, his shoulders widening. Beneath the curve
of the blanket I see the form of a strong back. I wonder
what it is to be a father, what it is that joins us
to our sons, what strange awkwardness in seeing ourselves
right there
becoming men in ways large and small, doing things
we remember
doing things we
try to forget.

Thirteen is the heat of summer, the sweltering
waves rising from melting macadam. It is the
condensation on the outside of the glass,
the ring left behind on the table. It’s the season
the creeps in through the screens, heavy
and warm, with thunderstorms on the horizon.

I back out of the room quietly. Tonight I will leave him
to find his way. I will not ask him about his music
or what he is reading. I will not try to create an artificial
crossing. Tonight. Step by step I back out of the room,
until I am pushing
the door closed softly. But

just then

he senses me. Turns his head. Smiles his boyish grin
the grin that is all 13-year-olds and yet only him,
the grin that gaps at the back where his last baby
teeth have fled.

“Good night, Dad,” he says, extra loud because of
the head phones. I almost say
Turn down your music,
but I do not. I only smile
and close the door.

Good night. Yes. That is what we call it. I leave
the door cracked open, that line of light
a sunset.

Under My Hand, the Softest Splinter (or, Hope, Even Now)

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Maile exhales in her sleep. The window that looks out
onto James Street is open, the summer air still against
the screen. Maile stirs
in bed, pulls a pillow in
under her belly, under our baby yet to be
born. It is 4am, and I am awake
again.

A car slips by, its radials humming. What new evil
will flare in the world
tonight? I wonder. What new out-
pouring of hate blood violence
on a knife’s edge driven home by an after-
math of anger and suspicion?

I move up against Maile and wrap my arm
around her, my hand on her nearly-ripe stomach.
Then, my hand is
nudged by a human not-yet-here,
a human not-yet-born. Its presence sudden,
real. What have we
done? I wonder. Why invite anyone
into this hate blood violence victims contempt,
into this swirling world of rage and

pop-pop-pop go the guns. Rat-tat-tat. I can feel
the air moving around me as the bullets
fly. I hear them absorbed by flesh and bone and walls.
My thoughts are the sound of
shattering glass. Someone, somewhere, lets loose
a primal cry. Then

under my hand, the softest
splinter. Is that a foot? An elbow? Is that
the soft nudge of hope, the insistence
of something beautiful yet to come?

There were, after all, people waiting
to give blood. Their blood for blood, their life for
life. There were 200 Muslims bowing
in prayer for victims, candlelight glowing in place
of gun fire flashes. We are them and they are us and
all around are gentle nudges reminding us of something
beautiful yet to come. Will we bring it
into being? The labor is never easy.

There will be blood. Yes, there will be
blood. But there will also be a rushing
of waters
the crowning of a head
the first glimpse of powder on a new face
never seen before. There will be
the slipping into the world.
There will be screaming. Yes, there will be
screaming. But there will also be hopeful
tears smiles and bulbs blooming
the cutting of that which joined us
a rapid latching on
a sense of awe that even when evil rises in the middle
of the night, a new birth is coming.

I leave my hand there on her belly. I fall
asleep, the undulating waves of –
what is it, hope? –
living, breathing future
pressing on my finger prints. An elbow, I’m sure
of it. Or perhaps a heel, born
to crush the very head
of this persistent evil, perhaps a gentle hand, born
to usher in a fresh peace.

What Matters Most

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After nearly seventeen years of marriage we sometimes
spend our Friday nights in the basement, going
through boxes of old stuff,
trying to decide what to keep
and what to cast off.
It’s like the ocean floor down there,
where everything settles after being shaken,
shipwrecked,
sifted.

You go through plastic bins full of children’s clothes,
preparing for this next baby, number six, and we
smile at the sight of clothes the other children wore:
a yellow rain coat; those monkey pajamas; boots
covered in cartoon insects with big eyes. Artifacts
from some other life, reminders of
this long and winding road. You sigh. You fold
each piece with care
and gently place everything here
or there
to keep
or to cast off.

I unearth the boxes of yearbooks and old
journals, binders full of short stories I wrote. In those days
I was certain publication was just
around the corner. Yet here I am,
so many years later, on the cusp of perhaps a book,
or perhaps not. Still waiting.
This is the way of things, the subtle gathering of years,
the persistent belief that words, thought through,
will find their way to the surface.

And then I see a notebook from October, 1997, when
I first laid eyes on you. Noticed you for the first time.
I wrote seven words at the top of the page
of my American Lit Before 1900 binder:
“Fact of the day: she’s from Ohio”
How little we knew of one another.

I read the words out loud to you, and you smile and almost
cry and we laugh, thinking back to who we were.
Who were we? Who would we become? We
had no idea.
How could we? Yet.

Yet.

Yet here we are in the basement of a row home, 20 years
later, somewhere
in the city, the sound of five children running the wooden
floorboards above us, the amniotic movement of another child
twisting and turning inside you.
Here we are, sifting through two decades.
This has been the way
of these years, the keeping and the casting off.
The sense that somehow, that which matters most
will find its way to the surface.

When We Went For Ice Cream in the Rain

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Photo by Pete Nowicki via Unsplash

We decided it was time to laugh
in the face of our collective sickness
and walk downtown for ice cream. But
at the corner of Prince and James we looked
north and saw the gathering clouds, dark, like
recycled nightmares or the villain in a silent movie.

We’re probably going to get wet, I said. We should
probably turn back. But I saw in the eyes of my
children that no amount of common sense
would prevail. I shook my head. I did not want
to get wet.

Still, we walked south, and the wind began to blow
and we fled from block to block, pushed ahead by
advancing clouds. We quickly ordered our ice cream
while old blossoms from earlier in the spring
scuttled by, afraid and out of place.

Finally we turned north, face to the clouds, holding small
bowls of joy. The kids squealed when the rain began
to fall, and we jogged all the way home from Chestnut,
ice cream melting,
rain splattering heavy dots on the cracked sidewalk
Sam going from tree to tree
hiding in the cold shade of April like a butterfly
or hope.

We came into the house and sighed and stood beside
the warm radiators, eating ice cream, laughing off the
storm. Leo’s face was wet and Abra coughed and we all
grinned. This is the definition
of hope, I think,
this willingness to head out
even when the storm is already on its way
knowing you’ll have to turn into those dark
clouds on your way home.

Don’t let the clouds keep you from heading out.