Walking Through the Valley (Or, For Dean and Naomi)

Image by Rosalind Chang via Unsplash

Death refuses to negotiate, that old son of a gun. It is a silent wanderer, coming and going as it pleases, and when it comes, there is no use bartering with it.

Still, we can’t help ourselves. We make an offer. We try to change its already-made-up mind.

* * * * *

I remember when he came into our lives. Dean was, and always has been, one of these people who is fiercely alive. He was at first the slightly older boyfriend of my cousin Andrea, but he never seemed older—he seemed like a kid. They married and he jumped into our extended family feet first, rivaling all of us when it came to athletic ability, courage, and competitive spirit (the last of which is saying something).

But there has always been something ineffably soft about Dean as well, so that when he talked trash over some outdoor game you knew that, at his core, kindness was somehow tangled up with his words. This softness became tangible when he had, first, his three girls, and then, tagging well on behind, his son, who I once saw him looking at with amazement, as if wondering, How could this remarkable thing have happened to me in my later years? When his youngest daughter battled cancer, I watched his eyes fill with love and sadness and slowly grow older, and when she came through it, he was still Dean, and Andrea was still Andrea, but they were something else, too, something more ordinary and more remarkable.

At a family gathering 18 months ago, I was talking with one of my cousins about the way my theology has changed in these recent years, how much of what I believe is crumbling or changing, and Dean, sitting at the other end of the table, heard us. He slid over to our end, leaned in, and listened. He asked a question here or there, but mostly he listened, his face intent and curious.

Dean died from Covid-19 this week. One of the last photos Andrea shared was of her and her kids looking up at the outside of the hospital from the sidewalk. The glass was reflective, so that they could not see Dean waving to them from his room. But he could see them.

Dean and Andrea and the girls live in Virginia and we did not see them enough. I tremble to think of the gap he leaves in his family’s life. And still we try to barter with death, as humans always do, have always done, perhaps, since the first death. I think of the last line of one of my favorite books, A Prayer for Owen Meany:

“O God — please give him back! I shall keep asking You.”

* * * * *

Earlier in the day we had learned that my Great Aunt Naomi had passed on, cancer being the vehicle. She was a writer; in another life, perhaps in a different culture (she grew up Amish) and under different circumstances, she would have been a famous author. Words meant a great deal to her, so that she didn’t waste them, or toss them here and there like too many of us do. She journaled as if her life depended on it; at times, perhaps it did. She lived with a kind of fierce courage, a deep foundation of grit and hard work and determination, someone from a different era completely.

When she saw me, it was always with eyes lighting up in a smile. She called me “Shawnee” and asked what I was writing. Once, she signed up for one of my writing classes and came to all eight weeks. She was around 70 years old at the time, and when she read her writing, we all listened, breathlessly.

* * * * *

And so in this Valley of the Shadow, we go about our ordinary lives that suddenly feel quite remarkable. Lucy makes an apple pie and Maile teaches her the intricacies of a flaky crust and we tell stories of the other great pie makers in the family, matriarchs who have gone on to that far green country. We play cards and the noise of the kids that normally scrambles my brain feels somehow like a balm. Leo has a tired tantrum and says through tears and a broken heart, “But I WANT to be annoying!” I wish Cade wasn’t at work.

It is the ordinary that becomes extraordinary in this valley. It is lying next to Maile in bed and holding her hand while reading Jim Harrison’s Legends of the Fall; hearing Lucy singing a Ray Lamontagne song in her bedroom for no one but herself; hearing the three chimes distant in the house as Cade gets home from work after nearly everyone else in the house has fallen asleep.

It is the crooning of Patti Griffin:

Where is now my father’s family
That was here so long ago?
Sitting round the kitchen fireside
Brightened by the ruddy glow

We shall all be reunited
In that land beyond the skies
Where there’ll be no separation
No more marching, no more sighs.

That song could be sung by my children now, in these latter days. I am the father now, and it is my family that’s leaving, my family who used to sit around the kitchen together, my extended family who we long to be reunited with.

* * * * *

I escape the light and warmth of home, take Winnie on a walk through the dark city. We stand in the open green together and take in the steeple that rises over the Lutheran church, and the Bethlehem star that still splits the skyline over Lancaster General Hospital. We walk the late-night sidewalks, and though it is only 9:30 p.m., we do not pass another soul.

And, after a time and an age, we come home through the alley. Winnie flinches at the gate. She always does. There is something about it that spooks her, so that I have to coax her through that narrow space of darkness. And I realize this is what we all must do—walk each other up to the gate of death, some of us balking more than others, some of us passing willingly, and help each other through.

Sometimes there is scratching and clawing and struggling, even a bit of panic, but eventually I calm her, and we pass.

Only one thing is certain—no matter how we barter with death, we will all have a turn to pass through that gate. But it’s not something to be afraid of.

Home is on the other side.

* * * * *

I woke up this morning, and I thought it was all a bad dream.

NEW EPISODE! S4E3 Creating Courageously During Difficult Days

Today Maile and Shawn talk about the various ways creative people can and should be engaging with culture during these difficult days. We try to do it without hypocrisy, but you can judge for yourself on whether or not that is the case.

Maile also plugs her upcoming course over at Black Barn Online, which you can find out more about HERE.

We also mention (again) Jonathan Rogers’ wonderful podcast and newsletter, The Habit.

* * * * *

As always, there are a few ways to listen: click the play button in the image above, go to our webpage to hear this and all of our other episodes, or head on over to Apple podcasts or Spotify!

If you enjoy the podcast and would like to see it continue, and if you’d like exclusive access to Maile’s writing and other bonus material (including the one where we talk about our very favorite book of 2020), please join our Patreon community at the $5 / month level HERE.

And keep writing!

NEW EPISODE! S4E2 Sean Dietrich on the South, Tragedy, and Writing

We have a wonderful time speaking with Sean Dietrich (Sean of the South) about his childhood, the differences between the North and the South, and what it’s like to write about his childhood, which involved his father committing suicide. His family was always very private about the incident, and he tells us the story of letting his mother read his memoir for the first time.

Sean’s memoir is Will the Circle Be Unbroken.

His upcoming novel is called, The Incredible Winston Browne.

* * * * *

As always, there are a few ways to listen: click the play button in the image above, go to our webpage to hear this and all of our other episodes, or head on over to Apple podcasts or Spotify!

If you enjoy the podcast and would like to see it continue, and if you’d like exclusive access to Maile’s writing and other bonus material (including the one where we talk about our very favorite book of 2020), please join our Patreon community at the $5 / month level HERE.

And keep writing!

NEW EPISODE! S4E1: Bettering Yourself as a Writer

Welcome to Season Four! It’s going to be a good one. Today we talk about Maile’s obsession with Netflix’s fake fireplace (Birchwood edition), the books we’re reading, and what we’re going to do to better ourselves as writers in 2021. Also, Shawn shares the one thing that ALWAYS silences the voices of self-doubt.

Find Maile’s upcoming class at The Black Barn Online

The book Shawn threw in the lazy river: How Fiction Works by James Wood

* * * * *

As always, there are a few ways to listen: click the play button in the image above, go to our webpage to hear this and all of our other episodes, or head on over to Apple podcasts or Spotify!

If you enjoy the podcast and would like to see it continue, and if you’d like exclusive access to Maile’s writing and other bonus material (including the one where we talk about our very favorite book of 2020), please join our Patreon community at the $5 / month level HERE.

And keep writing!

Learning to Laugh Through Our Tears

There are a few musicians who have become so central to my experience of life that I remember with vivid detail the first time I heard their music. I remember hearing U2’s Joshua Tree sometime around 1988 in my cousin’s bedroom. I was only 9 or 10 years old, in awe at being allowed into his “grown-up” space, and the song “Where the Streets Have No Name” came on, cementing itself in my little mind. Continue reading “Learning to Laugh Through Our Tears”

NEW EPISODE! S3E21: Creative Mindsets for the New Year

What creative mindsets are you taking with you into the New Year? Are they ways of thinking about creativity that serve you well or do they keep you mired in negative self-talk? Today, Shawn and Maile each share one mindset they’re taking with them into the New Year, and one mindset they’re planning on leaving in 2020. Continue reading “NEW EPISODE! S3E21: Creative Mindsets for the New Year”